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There are also forts, minor
castles, mosques, wells called baoris and chattris to discover.
The Rajputs mostly depicted the themes of historical events,
personages' folk-heroes and the prominent war scenes, while the
Marwaris concentrated more on religious themes but with the
passage of time the themes too began to divert towards the
modern views.
At the decline of Mughal Empire after the death of Mughal
Emperor Aurangzeb in 1707 the descendants of Rao Shekha
encroached upon areas west of Aravali Range also. The chieftains
of the region retained nominal loyalty to Amber, who in turn
honoured them with the title of 'tazmi sardars'. It was probably
this exposure to the courts of Jaipur that encouraged these
thakurs initiate their great succession of fresco. By the
beginning of the nineteenth century British had established
major ports at Calcutta (now Kolkata) and Bombay (now Mumbai)
that were able to handle larger volumes of trade than ports in
Gujarat. Moreover with Jaipur reducing its levies the Shekhawati
route was almost abandoned by traders. However the Shekhawati
merchants who were seasoned businessmen migrated en masse to the
more lucrative centres of Calcutta and Bombay. Here they earned
unparallel wealth and send huge sums home, which were used for
building havelis, social welfare, wells, reservoirs, schools
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